In 1907, eight years before she published her first novel, a twenty-five-year-old Virginia Woolf drafted three interconnected comic stories chronicling the adventures of a giantess named Violet—a teasing tribute to Woolf’s friend Mary Violet Dickinson. But it was only in 2022 that Woolf scholar Urmila Seshagiri discovered a final, revised typescript of the stories. The typescript revealed that Woolf had finished this mock-biography, making it her first fully realized literary experiment and a work that anticipates her later masterpieces. Published here for the first time in its final form, The Life of Violet blends fantasy, fairy tale, and satire as it transports readers into a magical world where the heroine triumphs over sea-monsters as well as stifling social traditions.
In these irresistible and riotously plotted stories, Violet, who has powers “as marvelous as her height,” gleefully flouts aristocratic proprieties, finds joy in building “a cottage of one’s own,” and travels to Japan to help create a radical new social order. Amid flights of fancy such as a snowfall of sugared almonds and bathtubs made of painted ostrich eggs, The Life of Violet upends the marriage plot, rejects the Victorian belief that women must choose between virtue and ambition, and celebrates women’s friendships and laughter.
A major literary discovery that heralds Woolf’s ambitions to revolutionize fiction and sheds new light on her great themes, The Life of Violet is first and foremost a delight to read.
This volume features a preface, afterword, notes, and photographs that provide rich historical, literary, and biographical context.
Virginia Woolf (1882–1941) was one of the twentieth century’s most important writers. In addition to writing ten novels, including Mrs. Dalloway and To the Lighthouse, Woolf was the cofounder of the Hogarth Press and a prolific essayist and critic. Her manifesto A Room of One’s Own is a cornerstone of modern feminist thought. Urmila Seshagiri is professor of English at the University of Tennessee, Knoxville. She is the author of Race and the Modernist Imagination, the editor of the Oxford World’s Classics edition of Virginia Woolf’s Jacob’s Room, and a contributor to the Los Angeles Review of Books.
“What an extraordinary volume! Here we meet newly discovered, revised versions of Virginia Woolf’s early stories based on the life of Violet Dickinson. These tales are laugh out loud funny. They are also profound early experiments in the fiction/biography blend that later gave rise to Orlando and the feminist musing about women’s education, marriage, and literary history that infuse A Room of One’s Own. An illuminating preface and afterword by Urmila Seshagiri bring Dickinson’s biography and intellectual contributions into view and deftly analyzes the stories and their place within Woolf’s oeuvre. Must reading for lovers of Woolf’s fiction.”—Jessica Berman, editor of A Companion to Virginia Woolf
“Delightful and important, The Life of Violet is an instant classic for all readers of Virginia Woolf. The stories are lighthearted, but in them we see how, as early as 1907, Woolf was concerned with the major themes of her career: the need for a room of one’s own, the value of an ordinary woman’s life, and the imperative to remake the way fiction is written. Urmila Seshagiri, a peerless editor of Woolf, has added a new chapter to Woolf’s career, filling in her apprenticeship in ways that will shift our understanding and deepen our appreciation.”—Anne Fernald, editor of Mrs. Dalloway: A Norton Critical Edition
“The Life of Violet shows us the young Virginia Woolf planting her stake in the midst of the waves. Mature works such as Orlando and A Room of One’s Own swim into possibility in Violet’s first two sections, which explore the edges of ‘man-woman-or Violet kind’ with nervy self-assurance. The outlandish fabulations of section three, meanwhile, read like uncanny memories of a darker future.”—Paul K. Saint-Amour, author of Tense Future: Modernism, Total War, Encyclopedic Form
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