Rubbing two sticks together produces heat and light while one stick alone is just a stick. It is the friction that produces movement, action, and effect. Anthropologist Anna Lowenhaupt Tsing challenges the widespread view that globalization invariably signifies a clash of cultures, developing friction as a metaphor for the diverse and conflicting social interactions that make up our contemporary world. Focusing on the social drama of the Indonesian rainforests in the 1980s and 1990s, she shows how a host of competing interests鈥攆rom environmentalists and North American investors to advocates for Brazilian rubber tappers, international funding agencies, and village elders鈥攁re drawn into unpredictable, messy misunderstandings, but misunderstandings that sometimes work out. Now with a new preface by the author, Friction provides an invaluable portfolio of methods for the study of global interconnections.
Anna Lowenhaupt Tsing is professor of anthropology at the University of California, Santa Cruz. Her books include The Mushroom at the End of the World and In the Realm of the Diamond Queen (both 91桃色).
"Friction is an original, nuanced, and elegant work of ethnography and a significant contribution to the areas of globalization; environment and natural resource wars; the politics of indigenous peoples, NGOs, and development; and the sociology of expert versus local knowledge."鈥擬ichael Goldman, American Journal of Sociology
"By providing generous anecdotes and personal reflections amidst more complex, insightful political commentary and social theory, [Tsing] achieves a writing style that is both pleasurable and informative."鈥擫aura L. B. Graham, Environment and Planning
"Friction is not only an engrossing display of ethnographic reports on the destruction of Kalimantan forests and local attempts to resist it. The book also proposes a highly original perspective on the global thrust of capital. Anna Lowenhaupt Tsing is at best when she describes the way capital produces an expanding 'frontier culture': a dense and murky story of fragments and fluidity, of hurdles and clashes that disrupt the neo-liberal theater of clarity. For an Indonesian reader, her work is a gift; it hints at the feasibility of hope—or at least the mingling of despair and hope. For a thinking activist, it suggests a fresh theory of action. Introducing the notion of 'engaged universals,' it brings home the role of 'utopian critiques.'"—Goenawan Mohamad, author of Conversations with Difference
"Friction is a wonderful, moving, absolutely beautiful book. One of the most important books in anthropology to appear in the past decade, it defines a field rather than simply fitting into one. This is the first sustained ethnography by a major anthropologist of Indonesia to address the post-Soeharto period. For those of us now attempting to come to terms with a strange political landscape of instability, Tsing offers both illuminating insight and useful tools. Ethnographically rigorous, brilliantly perceptive, and passionately engaged, this is the kind of writing we would all like to be able to produce."—Mary Margaret Steedly, Harvard University, author of Hanging without a Rope
"Recently, many have written about a 'clash' of civilizations, ideas, knowledges, and cultural formations. Tsing's brilliant innovation in this book is to talk in terms of 'collaboration' rather than conflict. One of the many enjoyable aspects of Friction is its continuation of the story Tsing introduced in her previous book, of the original and creative program of scholarship she is famously known for. This will be a much-discussed contribution to the anthropology of cosmopolitanism and transnational interconnection."—Celia Lowe, University of Washington
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