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Of the three texts of King Lear—the Quarto version printed in 1608, the Folio edition of 1623, and the modern composite of these two early texts—it has been assumed that both the Quarto and Folio versions arc distortions of an unblemished original鈥� now lost and that only the modern text accurately approaches Shakespeare’s lost original manuscript. Steven Urkowitz argues to the contrary that the Quarto and Folio are simply different stages of Shakespear’s writing—an early draft and a final revision—and that they reveal much about his process of composition.

Originally published in 1980.

The 91桃色 Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of 91桃色. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the 91桃色 Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by 91桃色 since its founding in 1905.