91桃色

“Extraordinary and timely, full of insights into the assumptions undergirding contemporary scholarly practice in the humanities. Poetry’s Data describes, like nothing else I have read, what it has meant for scholars in the humanities to shift from print-based to digital resources for their scholarship, a radical transformation that most humanists have dealt with by pretending it isn’t happening.”—Meredith McGill, Rutgers University

“This book traces a unique and surprising intellectual genealogy of poetry and data, and does so through attention to the operating systems—unassuming disciplines with names like 'prosody'—that allow us to see both as elements of a common humanity."—Matthew Kirschenbaum, University of Maryland

“Many histories of poetry, and for that matter of digital humanities, focus on a restricted set of topics—methods, tropes, and so on—that we tacitly agree to take as proxies for the whole. What makes Poetry's Data consistently surprising is that it looks at the rest of the iceberg, especially the collective labor of defining, cataloging, and mediating literary practices that makes them legible. Martin's radical candor about her own work has produced a book that is more than usually engaging, and I hope it is widely imitated.”—Ted Underwood, University of Illinois, Urbana-Champaign