91桃色

"Oberman beautifully renders a complex and ever-changing knot of temporalities in which past and present overlap and exert force on each other."鈥�Publishers Weekly

"A reflection on the meaning of welcome, this etymologically alert work is calm and joyful. . . . An Old English scholar and translator, Oberman is the sort of poet who hears in the tree of poetry not only the leaves rustling and the branches creaking, but the roots drinking and eating."鈥擟arol Rumens, The Guardian

"Rarely does one read something both so old and, at the same time, so new. Old in the sense that the taproots of these poems reach so deep and so wide, and new in the sense that they often startle with their originality. The poems are immediately understandable, mysterious, and authentic. Miller Oberman has written a book that makes me want to shake his hand, to salute him, and to say, frankly, that these poems and this book fill me with gratitude and joy."鈥擳homas Lux

"Miller Oberman's magnificent first poetry collection encompasses ageless themes of love, fear, seeking, and finding. He speaks of 鈥榯imes trans-shifting,' bodies transitioning, of journeys through light and shade, torment and consolation: the forging of new identities in new words. Among the poems are glorious flashes of gold and garnet, finely wrought Old English verses made to gleam in bold, clear translations. Anglo-Saxon England and postindustrial America call out to one another across the millennia: casting new-old light on graves, ruins, horses, and words themselves. These are poems to keep close by, to share, and to sing out loud."鈥擟arolyne Larrington, University of Oxford