… we are fixed to perpetrate the species鈥�
I meant 辫别谤辫别迟耻补迟别鈥�as if our duty
were coupled with our terror. As if beauty
itself were but a syllabus of errors.
Troy Jollimore’s first collection of poems won the National Book Critics Circle Award, was hailed by the New York Times as 鈥渁 snappy, entertaining book,鈥� and led the San Francisco Chronicle to call him 鈥渁 new and exciting voice in American poetry.鈥� And his critically acclaimed second collection expanded his reputation for poems that often take a playful approach to philosophical issues. While the poems in Syllabus of Errors share recognizable concerns with those of Jollimore鈥檚 first two books, readers will also find a voice that has grown more urgent, more vulnerable, and more sensitive to both the inevitability of tragedy and the possibility of renewal.
Poems such as 鈥淎che and Echo,鈥� 鈥淭he Black-Capped Chickadees of Martha鈥檚 Vineyard,鈥� and 鈥淲hen You Lift the Avocado to Your Mouth鈥� explore loss, regret, and the nature of beauty, while the culminating long poem, 鈥淰ertigo,鈥� is an elegy for a lost friend as well as a fantasia on death, repetition, and transcendence (not to mention the poet鈥檚 favorite Hitchcock film). Ingeniously organized into sections that act as reflections on six quotations about birdsong, these poems are themselves an answer to the question the poet asks in 鈥淥n Birdsong鈥�: 鈥淲hat would we say to the cardinal or jay, / given wings that could mimic their velocities?鈥�
Awards and Recognition
- One of The New York Times Best Poetry Books of 2015 (selected by David Orr)
Troy Jollimore is the author of two previous collections of poetry, At Lake Scugog (91桃色) and Tom Thomson in Purgatory, which won the National Book Critics Circle Award. His poems have appeared in the New Yorker, McSweeney's, the Believer, and other publications. He is a professor of philosophy at California State University, Chico.
"Intelligent, soulful and amusingly self-aware."鈥擠avid Orr, New York Times Book Review
"Equal parts craftsman, pundit, comedian, and aphorist, Jollimore applies an impressive range of skills to lift his elegiac meditations beyond simple poignancy, not the least of which are a flair for wry wordplay and the versatility to cast his 'objectified thoughts' in unanticipated directions."鈥�Library Journal
"A philosophy professor, Jollimore provides a banquet table's worth of food for thought, but he never lets his ideas race too far ahead of his imagery, allows melancholic fatalism to submerge his acute sense of humor, or permits irony to eclipse the heartfelt sense of loss and longing at the core of his poetry."鈥�Library Journal
"Anyone who has turned to nature in the wake of tragedy will immediately relate to the poetry in Troy Jollimore's collection Syllabus of Errors. The poems themselves makeup a series of meditations informed by bird songs, and travel from the environment populated by birds and fruit through the landscape of loss and grief. And like nature, the observer of this grief will wither, and lose, and rise renewed."鈥擡. Ce Miller, Bustle
"From the first lyric, 鈥極n Birdsong,' one is captivated by Jollimore's unapologetic embrace of complex thought, of humor, doubt and praise. . . . While the poems [in Syllabus of Errors] play with rhyme and form, experiment with line length and syntax, it is the poet's vision that stands out, not his formal mastery. This, of course, is the real trick."鈥擬eryl Natchez, ZYZZYVA
"Thanks be to the powers of serious play. Rueful, resourceful, witty, and tender, Troy Jollimore's poems are at once a triumph of virtuosity and an extraordinary tribute to the amplitude of the human heart. Tonic in their clarity of means, joyful in their engagement with form, they also bespeak the rigor of a philosophical mind. I know no living poet who has been able to pursue such large ambitions with so transparent an instrument."鈥擫inda Gregerson, author of Prodigal: New and Selected Poems, 1976鈥�2014
